On a grand scale the film was efficiently catered with well established cinematography and polished set-pieces that had penetrating might, which director Richard Donner handled with precise skill. Another stroke of brilliance would be Jerry Goldsmith's memorably, nerve-wrecking score with those explosive chants scattered throughout. I won't deny that it seems silly enough when you pay close attention to it all, but with such conviction in the performances and that off confident direction, these factors makes sure that it doesn't slip overboard into cheesy daftness. From the impending doom that's achieved by its coldly layered atmosphere to a premise that teases the viewer on how it's all going to play out. Everything about it has a knack for falling into place. That might be a surprise for some, but I found this film superior as it was more entertaining, fascinating and truly creepy in its context and shocks. 'The Omen', I'd definitely say is one of the better horror films in the shadow of "The Exorcist', but I'll even go to say its an vast improvement over it's influencer. Right off the heals of 'The Exorcist' successful stint with moviegoers comes another one of those endless 70s religious themed horror flicks involving Satanism. This leads Robert on a whirlwind investigation that all points to his son being the Anti-Christ. Watching their young child growing up, he starts show unnerving signs, which the parents slowly start picking up on and also bizarre tragedies start occurring. Robert Thorn the American ambassador to Great Britain watches his wife's pregnancy when a priest tells him that his newborn has died, but he convinces him to substitute the baby (the wife not knowing) with another child that lost its mother in labour at the same time. I think I'll stick with this one and I won't wait another 30 years to see it again. I don't know about the re- make that just came out, but it would be tough to top this film. The sequels to this were simply not memorable and not worth your time. This is one of the classics of the '70s and often underrated.
#THE MESSAGE 1976 TORRENTS MOVIE#
Although I question some of the supposed quotes from the Book Of Revelation from the Bible (there is no "s" in Revelation, the screenwriters showing their biblical ignorance.), the movie is still a good witness to people who don't believe in Satan. In the meantime, I always enjoy looking at Lee Remick's gorgeous face with her magnetic eyes and Gregory Peck is usually rock-solid in roles he plays. It was a very effective job of acting by that woman. Baylock") to be more scary than the devil/kid! I didn't even remember her from 30 years ago but she got my attention on the DVD. This time around, I found the nanny (Billie Whitelaw as "Mrs. The story was a bit slower than I remembered it back in '76 but still provides enough action and plenty of chills. I was amazed how beautifully filmed this movie is, so if you love this film and don't have the DVD, please consider getting it. A VHS formatted-to-TV picture would lose too much of the great camera-work done in this film. The DVD version is excellent because it presents the movie in the 2.35 widescreen mode, which is essential to the viewing of this film if you are a fan of cinematography. It was almost 30 years later when I finally saw it for the second time and I thoroughly enjoyed it again, although it wasn't terrifying to me anymore.
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This movie scared the heck out of me when I saw it in the theaters in 1976, and it's still creepy today.